[영국]Sir Henry Rowley Bishop

Sir Henry Rowley Bishop,

by Isaac Pocock (died 1835)

Sir Henry Rowley Bishop (18 November 1786 – 30 April 1855) was an English composer.

He is most famous for the songs "Home! Sweet Home!" and

 "Lo! Here the Gentle Lark."

He was the composer or arranger of some 120 dramatic works, including 80 operas, light operas,

cantatas, and ballets. Bishop was Knighted in 1842. Bishop worked for all the major theatres of London in his era — including the Royal Opera House at Covent Garden, the Theatre Royal, Drury Lane, Vauxhall Gardens and the Haymarket Theatre, and was Professor of Music at the universities of Edinburgh and Oxford.

특히 〈즐거운 나의 집 Home, Sweet Home〉·〈보라, 저 다정한 종달새를 Lo, Here the Gentle Lark〉 등의 노래로 유명하다. 코벤트 가든 극장(1810), 킹스 시어터, 헤이마켓(1816~17), 드루어리 레인(1825~), 보크스홀 가든스(1830) 등에서 지휘했고, 에든버러대학교(1841)와 옥스퍼드대학교(1848)에서 교수를 지냈다. 비숍은 1842년에 기사작위를 받았다.

경가극과 연극의 부수음악을 작곡했으며, 유명한 작곡가들의 오페라들을 편곡했다. 대사를 음악으로 처리한 오페라 〈알라딘 Aladdin〉(1826)과 그밖에 오라토리오·파트송·글리 등을 작곡하기도 했다. 존 호워드 페인의 시에 곡을 붙인 노래 〈즐거운 나의 집〉은 페인의 희곡 〈클레리 Clari〉(밀란의 처녀)로 만든 비숍 자신의 희가극의 주제곡이었다.[다음백과]

His second wife was the noted soprano Anna Bishop, who scandalised British society by leaving him and conducting an open liaison with the harpist Nicolas-Charles Bochsa until the latter's death in Sydney.

 

Bishop was born in London, where his father was a watchmaker and haberdasher. At the age of 13, Bishop left full-time education and worked as a music-publisher with his cousin. After training as a jockey at Newmarket, he took some lessons in harmony from Francisco Bianchi in London. In 1804 he wrote the music to a piece called "Angelina", which was performed at Margate.

After his second success on the stage with The Maniac (1810), Bishop became music director of Covent Garden for the next 14 years.^[1] In 1813, he was a founding member of the Royal Philharmonic Society. In 1825 Bishop was induced by Robert Elliston to transfer his services from Covent Garden to the rival house in Drury Lane, for which he wrote, among others, the opera Aladdin, based on the story from 1001 Nights. It was intended to compete with Weber's Oberon, commissioned by the other house. Aladdin failed, and Bishop's career as an operatic composer came to an end. He did, however, rework operas by other composers. An 1827 Covent Garden playbill records a performance of the Marriage of Figaro with "The Overture and Music selected chiefly from Mozart's operas – the new music by Mr Bishop". It included an aria called Follow, follow o'er the mountain, sung by Miss Paton.

In 1841 he was appointed Reid Professor of Music in the University of Edinburgh, but resigned the office in 1843. In 1848 he became Heather Professor of Music at the University of Oxford, succeeding William Crotch, until 1853.

According to William Denslow, Bishop was a freemason. Bishop was knighted in 1842.

Bishop's later years were clouded by scandal. He had married his second wife, the singer Ann Rivière, in 1831. She was twenty-three years younger than he, and they had three children.^[2] In 1839, Anna Bishop (as she was now known) abandoned her husband and three children to run off with her lover and accompanist, the harpist and composer Nicolas-Charles Bochsa. They left England to give concert tours abroad until Bochsa died in Sydney, Australia, in 1856.^[2] Anna Bishop sang on every continent and was the most widely travelled opera singer of the 19th century.

Sir Henry Bishop died in poverty in London, although he had a substantial income during his lifetime. He is buried in East Finchley Cemetery in north London.

Music

Bishop's "operas" were written in a style and format that satisfied the audiences of his day. They have more in common with the earlier, native English ballad opera genre, or with modern musicals, than the classical opera of continental Europe with full recitatives. His first opera, The Circassian's Bride (1809), had one performance at Drury Lane before the theatre burned down and the score was lost. Bishop reconstructed it from memory.^[3]

Between 1816 and 1828, Bishop composed the music for a series of Shakespearean operas staged by Frederic Reynolds. But these, and the numerous works, operas, burlettas, cantatas, incidental music etc. which he wrote are mostly forgotten. Even his limited partnering with various composers including Joseph Edwards Carpenter, Thomas Simpson Cooke and Stephen Glover are often overlooked. The year 1816 also saw the composition of a string quartet in C minor.^[4]

His most successful operas were The Virgin of the Sun (1812), The Miller and his Men (1813), Guy Mannering (1816), and Clari, or the Maid of Milan (1823). Clari, with a libretto by the American John Howard Payne, included the song Home! Sweet Home!, which became enormously popular. In 1852 Bishop 'relaunched' the song as a parlour ballad. It was popular in the United States throughout the American Civil War and after.

According to music historian Anne Gilchrist:

'If a postscript by another hand may follow Mr. Frank Kidson's* most illuminating true story of the origin of Home, Sweet Home,' in the November number of THE CHOIR, musical readers may perhaps be interested to learn that the melody was vastly improved by compression in Sir Henry Bishop's later edition of it (the one now familiar). The original so-called 'Sicilian Air,' which Bishop - as Mr. Kidson has told - confessed to having written himself for lack of the required specimen of Sicilian melody, is a tedious affair, with much repetition. The first two bars (now counted as four) of the melody are sung, with the variation of a single note, four times, and after two bars of something a little different, a fifth time. It is as if one sang the strain, ‘ ’Mid pleasures and palaces though we may roam, Be it never so humble, there's no place like home,’ twice over, then two bars of variation, then the music of the above two lines once more. There is as yet no refrain of 'Home, sweet home,' but instead, the strain belonging to 'There's no place like home, there's no place like home' is sung (except for one note) twice over, as a conclusion. The truth as it appears to me is that Bishop's notion of Sicilian music was exclusively derived from the hymn-tune 'Sicilian Mariners,' whose character he imitated as closely as prudence would allow.' www.tradsong.org/Home%20Sweet%20Home%20-%20Gilchrist.pdf

Also of note is Bishop's 1819 musical comedy adaptation of William Shakespeare's The Comedy of Errors, which included the popular coloratura soprano aria "Lo! Here the Gentle Lark."^[5]

Bishop's last work was the commissioned music for the ode at the installation of Lord Derby as chancellor of Oxford University in 1853.