Felix Mendelssohn - Piano Sextet in D major, Op. 110.(1824/15세)

 

Felix Mendelssohn 

삶의 행복을 노래한 음악의 낙천주의자, 펠릭스 멘델스존 Jokob Ludwig ..

독일 낭만주의를 대표하는 작곡가이자 지휘자이다. 바흐의 <마태 수난곡>을 발굴해 바흐 음악의 부활에 크게 기여했다.|펠릭스 멘델스존은 1809년에 독일 함부르크에서 태어났다. 그의 할아버지는 유명한 철학자였고, 아버지는 부유한 은행가였다. 그의 집은 늘 유명한 학자, 예술가, 음악가, 과학자들로 붐볐다. "온 ...

출생 : 1809년 02월 03일 사망 : 1847년 11월 04일 국적 : 독일 대표작 : 〈교향곡 제3번 '스코틀랜드'〉, 협주곡 〈바이올린 협주곡 마단조〉, 피아노 독주곡 〈무언가〉, 오라토리아 〈엘리야〉 등[음악사를 움직인 100인 | 음악가 , 세계

 

 

Piano Sextet in D major, Op. 110.(1824/15세)

(0:00) I. Allegro vivace (12:12) II. Adagio (17:01) III. Menuetto: Agitato (19:33) IV. Allegro vivace

Uriel Tsachor, piano; Mark Gothóni, violin; Christine Rutledge and William Preucil, violas; Martti Rousi, cello; Diana Gannett, bass. Magisterra: Iowa International Chamber Music Festival. Clapp Recital Hall. Iowa City, IA, U.S.A. May 30, 2001.

 

 

Performed by the Amati Ensemble Movement One:

Allegro vivace - 0:00 Movement Two: Adagio - 12:52 Movement Three: Menuetto. Agitato -

17:49 Movement Four: Allegro vivace - 20:58

Felix Mendelssohn's Sextet in D major, Op. 110, MWV Q 16, for piano, violin, two violas, cello, and double bass was composed in April–May 1824, when Mendelssohn was only 15, the same time he was working on a comic opera Die Hochzeit des Camacho. Its composition took place between the Viola Sonata and the Piano Quartet No. 3. It also preceded the famous Octet, Op. 20 by about a year. 1824 is also the probable year of the composition of the Clarinet Sonata. Like the latter, the Sextet was not published during the composer's lifetime. Its first edition was issued in 1868 as a part of a complete collection of Mendelssohn's works. Hence the misleading high opus number. The composer's autograph of the score (in his Nachlass at the Berlin State Library) has a date at the end of it: May 10, 1824. The manuscript is relatively clean and contains too few corrections to let us track the evolution of the work. It is also never mentioned in Mendelssohn's letters. The scoring, tipping the balance of the strings toward the darker and lower registers, gives the piano a dominating position in most of the piece. This makes the Sextet more of a chamber piano concerto than a pure chamber piece. This scoring is reminiscent of Johann Nepomuk Hummel's Septet No. 1 in D minor, Op.74 (for piano, flute, oboe, horn, viola, cello and double bass) of 1816, which was issued in a version for piano, violin, viola, cello and double bass[1] (not a unique, but also not a common scoring at that time, the most popular composition for which is Franz Schubert's Trout Quintet of 1819). However, in Mendelssohn's Sextet a second viola is added to this ensemble. Such scoring can be found in Ferdinand Ries's undated Sextet in C major, WoO 76 and Henri Bertini's Sextets Nos. 4 and 5 (1830s–1840s). No performances for this work during the composer's lifetime are documented.