[이탈리아]Giuseppe Martucci

 

 

Giuseppe Martucci

 

Giuseppe Martucci.

Giuseppe Martucci (Italian pronunciation:[dʒuˈzɛppe marˈtuttʃi]; Capua, 6 January 1856 – Naples,

1 June 1909) was an Italian composer, conductor, pianist and teacher. As a composer and teacher

he was influential in reviving Italian interest in non-operatic music. As a conductor he helped to

introduce Wagner's operas to Italy and also gave important early concerts of English music there.

 

Martucci was born at Capua, in Campania. He learned the basics of music from his father, Gaetano, who played the trumpet. A child prodigy, he played in public on the piano when only eight years old.^[1] From the age of 11, he was a student at the Naples Conservatory, on the recommendation of professor Beniamino Cesi,^[2] the latter being a former student of Sigismond Thalberg. From Paolo Serrao, Martucci acquired his initial training in composition; his own composition students later on, when he worked and taught at Bologna, included Ottorino Respighi.

 

He died in Naples in 1909. His son Paolo, born in Naples in 1883, also became a pianist of note, briefly teaching at the Cincinnati Conservatory.^[1][2]

 

Martucci's career as an international pianist commenced with a tour through Germany, France and England in 1875, at the age of 19.^[3] He was appointed piano professor at the Naples Conservatory in 1880,^[2] and moved to Bologna in 1886, replacing Luigi Mancinelli there; in 1902 he returned for the last time to Naples, as director of the Royal Conservatory of Music.^[1][

 

It was in 1881 that Martucci made his first conducting appearance. one of the earliest Italian musicians to admire Wagner, Martucci introduced some of Wagner's output to Italy. He led, for example, the first Italian performance of Tristan und Isolde ^[4] in 1888 in Bologna. Nor did his enthusiasm for foreign composers end with Wagner's work. As well as performing Charles Villiers Stanford's 3rd ("Irish") Symphony in Bologna in 1898,^[5] he also conducted perhaps the only concert of all-British orchestral music on the European continent in the whole period 1851–1900.^[2] What is more, he included music by Brahms, Lalo, Goldmark and others in his programs.

 

Martucci began as a composer at the age of 16, with short piano works. He wrote no operas, which was unusual among Italian composers of his generation, but instead concentrated on instrumental music and songs, producing also an oratorio, Samuel.^[6]

 

                         Symphony No. 1 in D minor, Op. 75 (1888–95)

 

• Symphony No. 2 in F major, Op. 81 (1899–1904)

• Gian Francesco Malipiero said of Martucci's second symphony that it was "the beginning of the rebirth of non-operatic Italian music." Martucci was an instrumentalist pur sang, taking 'absolute music' as his highest goal.

 

• Piano Concerto No. 1 in D minor, Op. 40 (1878)

•  

• Tema con variazioni in E-flat, Op. 58 (1882) (rev. 1900 & 1905) (orchestral arrangement by Martucci?)

 

• Piano Concerto No. 2 in B-flat minor, Op. 66 (1885)

•  

• Quintetto per pianoforte e archi, op.45 (1878)

 

Cello sonata de acordes en Fa menor Op. 52