Rachmaninoff - Trio élégiaque No. 1 in G-minor/No. 2 in D minor, Op. 9

 

SERGEI RACHMANINOFF

(1873 -- 1943)

 

 

 

 

 

 Trio élégiaque No. 1 in G-minor

 

EMERALD Piano Trio

Aleksandr Snytkin, violin
Marie-Thaïs Levesque Oliver, violoncello
Anastasia Markina, piano

SERGEI RACHMANINOFF (1873 -- 1943)
Trio élégiaque No. 1 in G minor

composed on January 18--21, 1892 in Moscow

 

Trio élégiaque No. 1 in G minor is a composition for piano, violin and cello by Sergei Rachmaninoff. The trio was written on January 18–21, 1892 in Moscow, when the composer was 19 years old. The work was first performed on January 30 of the same year with the composer at the piano, David Kreyn at the violin and Anatoliy Brandukov at the cello. It waited until 1947 for the first edition to appear, and the trio has no designated opus number. Rachmaninoff wrote a second Elegiac piano trio in 1893 after the death of Tchaikovsky.

 

This work is cast in only one movement, in contrast to most piano trios, which have three or four. This movement is in the classical form of a sonata, but the exposition is built on twelve episodes that are symmetrically represented in the recapitulation. The elegiac theme is presented in the first part Lento lugubre by the piano. In the following parts, the elegy is presented by the cello and violin, while the spirit is constantly evolving (più vivo - con anima - appassionato - tempo rubato - risoluto). The theme is ultimately recast as a funeral march.

 

Despite his youth, Rachmaninoff shows in the virtuoso piano part his ability to cover a wide spectrum of sound colors. This trio has a distinctive connection to Tchaikovsky's Trio in A minor, both in the unusual, expanded first movement, and in the funeral march as a conclusion.

 

The suggestion often heard - that the first trio is an early elegy for Tchaikovsky - is doubtful: in

1892 the elder composer was in good health, and there was no premonition of the sudden illness that would kill him nearly two years later. Rather, the key to the connection with Tchaikovsky of this first trio is its repetitive opening theme, a four-note rising motif, that dominates the 15-minute work. Played backwards it has the same rhythm opening descending motif of Tchaikovsky's first piano concerto (written 1874-75), although now minor in the trio's version, and the allusion would have

been apparent to listeners and teachers at the university, as would the closing funeral march imitative of Tchaikovsky's elegy to Nikolai Rubinstein. Rachmaninoff wrote this first trio while still a student and may well have intended it as an homage to his elder friend and mentor.

 

The second trio, written two years later, was the true "elegiac" work mourning Tchaikovsky's death.

 

 Trio élégiaque No.2  in D minor, Opus 9

 

David Oistrakh
Sviatoslav Knushevitsky
Lev Oborin
Studio recording, Moscow, 1958

                     

Written in memory of Tchaikovsky, Sergei Rachmaninoff's Trio élégiaque in D minor, Opus 9 is

a piano trio begun on 5 October and completed on 15 December 1893. It was first performed in

Moscow on 31 January 1894 with Rachmaninoff himself playing the piano part.

 

It is in three movements:

• Moderato
• Quasi variazione
• Allegro risoluto

The first movement starts with a sombre tone, and erupts violently near the end.

The second movement consists of variations upon the first theme.

The final movement, although short, is dominated by the unceasingly powerful and dramatic piano part.

 

This piano trio is similar to Tchaikovsky's Trio in A minor, which was dedicated to Nikolai Rubinstein, in that it follows the same basic structure.

 

The Australian pianist Alan Kogosowski has orchestrated the trio as a piano concerto, called Concerto Élégiaque in D minor, Op. 9b.^[1] This has been recorded by Neeme Järvi and the Detroit Symphony Orchestra, with Kogosowski as soloist.

 

* 출처: 음원-유튜브/ 영문해설-영어위키백과