Sophie Gengembre Anderson

Sophie Gengembre Anderson (1823 in Paris – 10 March 1903 in Falmouth),

 

French-born British artist who specialised in genre painting of children and women, typically in

rural settings. She began her career as a lithographer and painter of portraits, collaborating with

Walter Anderson on portraits of American Episcopalian bishops. Her work, Elaine, was the first

public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.

 

Sophie was born in Paris, the daughter of Charles Antoine Colomb Gengembre, a French architect and artist, and his English wife, whose maiden name was Hubert.^{[3][4][nb 1]}

They lived in Paris during the early years of Sophie's life, where her father was acquainted with artists, intellectuals, and actors, like François Joseph Talma. Circumstances required that the family leave Paris and live in a "remote area in France" from 1829 to 1843. At seventeen she developed an interest in art when a travelling portrait painter visited her town.^[5]

 

She had two brothers, Philip and Henry P. Gengembre.^[3] Her brother Philip changed his name to Philip Hubert, using his mother's maiden surname and was a successful architect in New York City.^[4] She was largely self-taught in art, but briefly studied portraiture with Charles de Steuben in about 1843,^[3] when she lived with family friends in Paris. Soon after she began her studies, he left for Russia and did not return within the one year allotted for her studies. She did develop relationships with other women artists at the school where she gained a little more instruction.^[5]

United States

The song of the lark

 

The family left France for the United States to escape the 1848 revolution,^[6] first settling in Cincinnati, Ohio, where she met her future husband British genre artist Walter Anderson. Her brother Henry P. Gengembre (b. 1825) was also an artist, active in Cincinnati in the early 1850s.^[3]

 

Her portrait, figure and Brittany landscape paintings were exhibited in October 1849 at the Western Art Union Gallery. Also exhibited was a three panel set of Victorian London scenes entitled The Ladder of Love, which was described as "the lady, in her flowery 'May of Life,' awaits in her father's garden a stolen interview with her lover; in the second, she is seen eagerly caught in his impatient arms, ere he has yet left the ladder upon which he surmounted the garden wall; in the third, having received and given reveals of unfaltering love, she walks alone again - beautiful in the enrobing light of a summer moon, happy in the assurance that the warmth and devotedness of her affection is reciprocated."^[3]

 

Four or more of her illustrations were included in the Historical Collections of the Great West by Henry Howe. She collaborated with Walter Anderson, her future husband, on portraits of Protestant Episcopal bishops and created other portraits in her business.^[3]

She then lived in Manchester, Pennsylvania with her parents, where she is believed to have married Walter Anderson.^[3] She work there for the chromolithographers Louis Prang & Company.^[7]

Europe

A portrait of a fairy, by (1869). The title of the painting is Take the Fair Face of Woman, and Gently Suspending, With Butterflies, Flowers, and Jewels Attending, Thus Your Fairy is Made of Most Beautiful Things - purportedly from a poem by Charles Ede.

 

In 1854 the Andersons moved to London, where Sophie exhibited a still life of fruit, vegetables, game and fish entitled An American Market Basket at the Society of British Artists by 1855. It was considered an "admirable composition" made with "surprising truth".^[8] Her works were also exhibited at the Royal Academy. They returned to Pennsylvania in 1858 for a long visit with her family, during which time she exhibited at the Pittsburgh Artist's Association in 1859 and 1860. The latter year she and her husband had work shown at the National Academy of Design. She then settled in London again around 1863.^[3]

Anderson's work was widely exhibited at venues including the Royal Academy, the Royal Society of British Artists (RBA), and the British Institution.^[9]

 

To manage her health issue,^[6] they moved to the Isle of Capri in 1871, where they lived, painted,^[10] and entertained society in a house with a large garden called Villa Castello. Capri was an artist colony at that time, its residents included Frederic Leighton, Walter McLaren, John Singer Sargent, Edouard Alexandre Sain, and Jean Benner.^[11][12] She exhibited at the Grosvenor Gallery between 1878 and 1887. Anderson made Italian genre and Neoclassical paintings, including paintings of peasant women and children. At a time when it was difficult for women to have a successful artistic career, these paintings, generally made by men, allowed for her to have a successful career.^[13]

Later years and death

They moved to England in 1894 and painted and lived in Wood Lane Cottage in Falmouth, Cornwall. She continued to exhibit her work in London.^[6][10] She died 10 March 1903 at home in Falmouth. Her husband Walter died 11 January 1903.^[3][6] She was buried at Swanvale cemetery in Falmouth^[6] in the same grave as her husband.^[11]

Legacy

Sophie Gengembre Anderson - Capri Girl with Flowers

A world record price for her work of more than £1 million was achieved by No Walk Today at Sotheby's, London, in November 2008.^[6][14] It made her "Cornwall's first million-pound female artist."^[15]

Gallery

• 

  The Turtle Dove

• 

  Shepherd Piper, 1881

• 

  No Walk Today

• 

  Scheherazade

Collections

Birdsong

Her works are in the following collections:

• A Neapolitan Boy, oil on canvas, New Walk Museum & Art Gallery, Leicester Arts and Museums Service^[16]
• A Neapolitan girl, Leicestershire Museum and Art Gallery^[17]
• Capri girl with flowers and Neapolitan 'ragazza' at Russell-Cotes Art Gallery & Museum, Bournemouth^[17]
• Carl Linnacus, 1858, Royal Botanic Gardens, Kew^[17]
• Elaine, 1870, Walker Art Gallery, Liverpool. It was purchased in 1871 by the Liverpool Corporation, it was the first painting to be purchased by a public institution^[17]
• Foundling girls in the chapel at the Foundling Hospital, Foundling Hospital, London^[16][17]
• Lucy Goodman, 1849, private collection^[18]
• Portrait of Susan Richards, c. 1849-1850, Neville-Strass Collection, Lake Mary, Florida^[19]
• The children's story book at Birmingham City Art Gallery^[16][17]
• The Neapolitan, Atkinson Art Gallery, Southport, Lancashire^[17]
• The pet canary and Scheherazade, Museum and Art Gallery, Walsall, Staffordshire^[16][17]
• The song and Children in the wood, Wolverhampton Art Gallery, Staffordshire^[16][17]

See also

• List of works by Sophie Gengembre Anderson