Mendelssohn
( 1809~1847)
Piano Quartet No. 1in C minor, Op. 1
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Felix Mendelssohn's Piano Quartet No. 1 in C minor, Op. 1, for piano, violin, viola and cello was completed on 18 October 1822 and dedicated to Prince Antoni Radziwiłł. Mendelssohn's three numbered piano quartets were the first works of his to be published, hence their opus numbers.
The work has four movements:
- Allegro vivace (C minor)
- Adagio (A-flat major)
- Scherzo: Presto (C minor)
- Allegro moderato (C minor)
A typical performance lasts just under half an hour.
Piano Quartet No.2 in F minor
Felix Mendelssohn's Piano Quartet No. 2 in F minor, Op. 2, for piano, violin, viola and cello was completed on 3 December 1823 and published two years later. The work was dedicated to Mendelssohn's teacher, Carl Friedrich Zelter. Mendelssohn's three numbered piano quartets were the first works of his to be published, hence their opus numbers.
The work has four movements:
- Allegro molto (F minor)
- Adagio (D-flat major)
- Intermezzo: Allegro moderato (F minor)
- Finale: Allegro molto vivace (F minor)
A typical performance lasts just under half an hour.
Piano Quartet 3 in B minor
Felix Mendelssohn began composing his Piano Quartet No. 3 in B minor, Op. 3, for piano, violin, viola and cello in late 1824 and completed it on 18 January 1825, just before his sixteenth birthday. The quartet was published later that year and was dedicated to Goethe whom Mendelssohn had met a few years earlier. Mendelssohn's three numbered piano quartets were the first works of his to be published, hence their opus numbers.
Structure
The work has four movements:
- Allegro molto (B minor)
- Andante (E major)
- Allegro molto (F-sharp minor)
- Allegro vivace (B minor)
A typical performance lasts just over half an hour.
Early reception
In March 1825, Mendelssohn's father agreed to allow Felix to pursue a career in music, but only if his potential was recognized by professional musicians. Felix brought his Piano Quartet in B minor to the Paris Conservatory, where it was played by director Luigi Cerubini, and by the concertmaster of the Paris Opera, Pierre Baillot. According to Mendelssohn, the musicians were at first careless, but became enthusiastic early in the first movement and, at a terrific speed, played the entire quartet to its conclusion. Baillot approached the young composer after the performance and, without uttering a word, simply embraced him.[1]
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