Herzogenberg - String Quartet :No. 5 In F Minor Opus 63/in G Minor, Op.42 No.1 (1884)/Op.42 No.2, in D minor

Heinrich von Herzogenberg (1843,-1900)는 프랑스 혈통의 귀족가문출신의 오스트리아 작곡가이자 지휘자였다. 비엔나에서 음악과 법률을 공부했으며 후에  Felix Otto Dessoff 에게 작곡을 배웠다..그는 일찌기 바그너에게 매료되었으나  J. S. Bach 에대한 공부를 통하여 클래식의 전통적인 부분에 강력한 매력을 느끼게 되었으며 브람스의 열렬한 지지자가 되었다...그는 브람스의 파아노 제자였던 Elisabet von Stockhausen과 결혼했는데 브람스와 Herzogenberg 부부 사이에는 서로 주고 받은 편지의 내용으로 볼 때  누구보다도 잘 일치하는 연대감이 조성되었다.

Heinrich Picot de Peccaduc, Freiherr von Herzogenberg (10 June 1843 – 9 October 1900) was an Austrian composer and conductor descended from a French aristocratic family.rs

 String Quartet No. 5 In F Minor Opus 63

 

String Quartet in G Minor, Op.42 No.1 (1884)

Minguet Quartett

00:00 Allegro Energico 12:36 Andantino 22:46 Allegro Molto 28:10 Allegro

James McNeill Whistler - Nocturne, Grey and Gold (1871-1874)

 

 String Quartet, Op.42 No.2, in D minor

I. Allegro [00:00] II. Andante [11:14] III. Allegro [20:25] IV. Allegro con brio [28:36]

 

He was born in Graz and was educated at a Jesuit school in Feldkirch and also in Munich, Dresden and Graz before studying law, philosophy and political science at the university of Vienna. He soon turned his energies to music and attended the composition classes of Felix Otto Dessoff until 1864. Early on he was attracted to the music of Richard Wagner, but after studying J. S. Bach's works he became an adherent of the classical tradition and an advocate for the music of Brahms. In 1866 he married Elisabet von Stockhausen, who had been a piano pupil of Brahms; Brahms's letters to and from both Herzogenbergs form one of the most delightful sections of his correspondence. They lived in Graz until 1872, when they moved to Leipzig. In 1874, with the Bach scholar Philipp Spitta, Herzogenberg founded the Leipzig Bach-Verein, which concerned itself with the revival of Bach’s cantatas. Herzogenberg was its artistic director for ten years, during which time Ethel Smyth was one of his composition pupils. From 1885 he was Professor of Composition at the Hochschule für Musik in Berlin. It was in this capacity that he advised the young Ralph Vaughan Williams to study with Max Bruch. He died suddenly in Wiesbaden, aged 57; in his last years he used a wheelchair due to necrosis of the joints.

Herzogenberg was a well-schooled composer of definite gifts. In 1876 he wrote a set of Variations on a theme of Brahms (his op.23, for piano four hands, on the Brahms song, Die Trauernde, op.7 no.5), but despite Elisabet’s cajoling Brahms almost never expressed approval of his works. It has been suggested that Brahms was piqued that Herzogenberg had married Elisabet, of whom he was himself extremely fond. Toward the end of his life, Brahms grudgingly relented somewhat, writing “Herzogenberg is able to do more than any of the others.”

While Herzogenberg has been characterized as a mere epigone of Brahms, many of his compositions show little or no overt Brahmsian influence. For example his two string trios Op.27 Nos. 1 & 2, while some early compositions pre-dating his acquaintance with Brahms have features in common with the older composer.

Towards the end of his life he concentrated on providing music for communal worship in the Lutheran Evangelical Church in Strasbourg, under the influence of Friedrich Spitta, brother of Philipp Spitta, who was professor of theology there, though Herzogenberg himself remained Roman Catholic. His models in these pieces were the Bach oratorios and passions, with chorales designed to be sung by the congregation and played by only a small instrumental ensemble. He also wrote a large-scale Mass in memory of Philipp Spitta, for which Friedrich Spitta selected the text. Several of Herzogenberg’s major works were thought to have been destroyed during World War II but resurfaced during the 1990s.