(1812 – 1893[1]/81세) was an Austrian composer, theorist and music teacher.
Symphony No. 1 in D Major, "Mein erstes Studium"
I. Grave - Allegro con spirito 0:00
II. Adagio 11:56
III. Menuetto: Allegro vivace - Trio: Più tosto meno allegro 21:25
IV. Finale: Allegro 24:43
Capella Istropolitana Bratislava
Edgar Seipenbusch, conductor
Symphony Nº2 in E flat major (1840)
I.Andante - Allegro con brio : 00:00
II. Adagio con espressione : 13:06
III. Menuetto. Allegretto grazioso-Trio : 25:12
IV. Allegro molto : 30:11
Cappella Istropolitana Bratislava
Edgar Seipenbusch
Picture : Albert Bierstadt (1830-1902) : Mountain house .
Symphony Nº3 in C minor(1846)Wind parts reconstructed Michael F.P.Huber
I.Allegro:00:00
II.Andante:14:19
III.Scherzo.Presto-Trio.Piu lento:24:09
IV.Finale.Allegro vivace:34:03
Orchester der Akademie St. Blasius
Karlheinz Siessl
Picture:Albert Bierstadt : The Morteratsch Glacier Upper Engandine Valley(1895).
At the age of 14 he came to Innsbruck, where he studied the piano, violin, and musical study at the conservatory. After that he settled in Vienna, where he would remain for the rest of his life.
During his lifetime he was most prominent as a teacher of piano and harmony in Vienna. Rufinatscha seems to have spent most of his life teaching rather than composing actively, which would explain why he composed relatively few pieces. He knew Johannes Brahms and composed a number of works (including several symphonies) during the period in which Brahms refused to publish any symphonic works. While predicted by contemporaries to become a major composer of his day, this did not turn out to be the case, and as such he is still relatively obscure. However, as a music teacher he was influential; among his pupils were composers such as Ignaz Brüll and Julius Epstein. He died in 1893 in Vienna.
Rufinatscha is recognised as one of Tyrol's most important composers of the 19th century. His works can be said to form a connection between those of Franz Schubert and Anton Bruckner. Shortly before his death Rufinatscha decided to donate the manuscripts of his compositions to the Tyrolean provincial museum, where they remain to this day.
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