Georg Joseph Vogler
(June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist.
In a long and colorful career extending over many more nations and decades than was usual at the
time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly-original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as one of the most bizarre characters in the history of music".[1]
Ballet Suite No. 1
I. Overture. Allegro 00:00
II. Andantino 01:58
III. Larghetto 04:25
IV. Allegretto 06:52
London Mozart Players
Matthias Bamert, conductor
Ballet Suite No. 2
I. Gigue 00:00
II. Air de chasse 02:44
III. Menuetto grazioso 05:11
Recorded in: St Jude on the Hill, Hampstead, London, 28 & 29 January 2008
Label: Chandos Records, 2009
Symphonies, Overtures, Ballets
1. Symphony in D minor 0:00
2. Ballet Suite No.1 19:14
3. Symphony in G major 29:15
4. Overture to the opera 'Athalie' 38:15
5. Overture to the play 'Hamlet' 41:37
6. Ballet Suite No.2 52:28
7. Overture to the Singspiel 'Erwin und Elmire' 1:01:55
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