Paul Wranitzky ( 폴 브라니즈키) 작품(교향곡) 모음

Paul Wranitzky

 (

1756 - Moravian classical composer.

His half brother, Antonín, was also a composer

(체코 모라비아 출신  작곡가. 이복형 안토닌도 같은 음악가)

*  Symphony in C-minor, Op.11 (1791/ 35세)

(Published by André) scored for strings, single flute, 2 oboes, clarinets, bassoons, horns,

trumpets and timpani.

Mov.I: Grave - Allegro assai 00:00
Mov.II: Adagio 06:30
Mov.III: Menuetto. Allegretto - Trio 10:33
Mov.IV: Presto 13:25

Orchestra: London Mozart Players
Conductor: Matthias Bambert

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* Symphony in D-major, Op.52

 

 

Mov.I: Adagio maestoso - Allegro molto 00:00
Mov.II: Adagio 09:40
Mov.III: Menuetto 23:59
Mov.IV: Finale: Vivace assai 27:32

Orchestra: Dvořák Chamber Orchestra
Conductor: Bohumil Gregor

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* Grande Sinfonie caractéristique in C-minor, Op.31 (1798?)

 

Grand Characteristic Symphony for the Peace with the French Republic in C major, Op.31

 

 

 

 

Work: Grande Sinfonie caractéristique pour la paix avec la République francoise in C-minor, Op.31 (1798?)

Mov.I: Die Revolution - Marsch der Engländer - Marsch der Österreicher und Preussen: Andante maestoso - Allegro molto - Tempo di Marcia più maestoso più Allegro - Tempo primo 00:00
Mov.II: Schicksal und Tod Ludwigs XVI. trauermarsch: Adagio affetuoso 10:49
Mov.III: Marsch der Engländer - Marsch der Alierten - Tumult einer Schlacht: Tempo di Marcia movibile - Allegro 19:03
Mov.IV: Die Friedensverhandlungen - Freudengeschrei über den wiederhergestellten Frieden: Andante grazioso - Allegro vivace 23:34

Orchestra: NDR Radiophilharmonie
Conductor: Howard GriffithsRevolution: Andante maestoso - Allegretto molto - 4:52
2. I. English March - 2:19
3. I. March of the Austrians and Prussians: Tempo di marcia: Maestoso - Piu allegro, tempo primo 4:05
4. II. The Fate and the Death of Louis: Adagio affettuoso con sordini - 2:58
5. II. Funeral March - [-] 3:58
6. III. English March: Tempo di marcia - Movibile - 0:. III. March of the Allies - 1:23
8. III. The Tumult of a Battle: Allegro 2:47
9. IV. The Propectsf Peace: Andante grazioso - 1:55
10. IV. Rejoicing at the Achievement of Peace: Allegro vivace 5:11

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Wranitzky was born in Neureisch (Nová Říše) in Habsburg Moravia on December 30, 1756.^[1] He studied at the Faculty of Theology of University of Olomouc and later a theological seminary in Vienna. At age 20, like so many other Czech composers of that period, he moved to Vienna to seek out opportunities within the Austrian imperial capital.

 

From 1790, he conducted both royal theater orchestras. He was highly respected by Mozart, Haydn and Beethoven; the latter two preferred him as conductor of their new works (e.g., Beethoven's First Symphony, in 1800). Wranitzky was a prolific composer.

 

His output comprises ten operas, 44 symphonies, at least 56 string quartets (some sources give a number as high as 73) and a large amount of other orchestral and chamber music. His opera, Oberon – The Fairy King from 1789 was a favorite in this genre and inspired Emanuel Schikaneder to write the libretto of The Magic Flute for Mozart in 1791; in the mid-1790s, Goethe sought to collaborate with Wranitzky on a sequel to the Mozart opera.

 

Wranitzky died in Vienna on September 29, 1808.

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* Symphonie D-Dur (Op. 36)

 

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Although some scholars believe that he studied with Haydn, there is no proof of this. But there can be no question that he studied and was influenced by Haydn's quartets. Like Haydn, Wranitzky's quartet writing went through many stages of development beginning with the pre-classical and evolving to the finished

sonata form of late Viennese classicism.

 

The majority of his quartets are in three movements; many share the qualities of the Parisian quatuor concertant, with virtuoso writing in all four parts. In these works, he explored the emerging Romantic style with (for the time) daring harmonic progressions, theatrical gestures and virtuoso display.

 

Based on the ten Wranitzky quartets he has studied, music historian and Reicha scholar Ron Drummond writes, "I can safely and with absolute confidence say that Wranitzky's achievement as a composer of string quartets is a greater achievement, overall, than Mozart's. Lest that statement  be misunderstood, let me clarify: it's simply that Wranitzky's output dwarfs Mozart's, and the quality of each man's (mature) productions is so superb that Wranitzky wins by sheer numbers."^[2]

 

Writing about Wranitzky's music in the last part of the 19th century, the famous French critic and musicologist François-Joseph Fétis recalled, "The music of Wranitzky was in fashion when it was new because of his natural melodies and brilliant style. He treats the orchestra well, especially in symphonies. I recall that, in my youth, his works held up very well in comparison with those of Haydn. Their premature abandonment of today has been for me a source of astonishment."

 

*  출처: 음원-유튜브/ 해설-영여위키백과