Josef Rheinberger - String Quintet Op.82 (1874?) in A minor

 

Josef Gabriel Rheinberger (17 March 1839, in Vaduz – 25 November 1901, in Munich) was an organist and composer, born in Liechtenstein and resident in Germany for most of his life. He was born in Vaduz, the capital of Liechtenstein. At the age of 5, young Joseph was given piano and organ lessons from a local teacher. His talent was immediately discovered and was of such a substantial nature that with the help of a scholarship he was sent to the Royal Conservatory in Munich where he studied with Franz Lachner, one of Schubert's close friends and an important composer in his own right. Remembered today only for his organ compositions which are considered the most important ever written after those of Bach, during his life time Rheinberger was a much respected composer, generally ranked after Brahms and Wagner as the most important living German composer. Furthermore, he was also generally regarded as the leading teacher of composition during most of his lifetime. Among his many students were Humperdinck, Wolf-Ferrari, George Chadwick and Wilhelm Furtwangler.

Contents

• 1Life
• 2Compositions

String Quintet Op.82 (1874?) in A minor

I. Allegro [00:00] II. Adagio molto [09:12] III. Scherzo. Vivace – Trio. Molto dolce [17:16]

IV. Finale-Rhapsodie. Non troppo mosso [24:02] Performers: https://www.youtube.com/playlist?list...

 

 [그의 오르간 소나타는 19세기 오르간 작품 중 걸작으로 꼽힌다. 라인베르거는 파두츠에서 오르간을 공부했으며, 불과 7세 때 교구 교회 오르간 연주자가 되었다. 이어 펠트키르히와 뮌헨에서 공부하여, 1867년 뮌헨 음악원 오르간과 작곡 교수가 되었다. 제자로 훔퍼딩크, 볼프-페라리, 푸르트뱅글러, 미국의 조지 W. 채드윅, 호라티오 파커 등을 길러냈다. 20곡의 오르간 소나타 외에도 4개의 오페라, 다수의 교회음악, 실내악 작품을 남겼다. 1894년 작위를 수여받았다-다음백과]

The String Quartet No.1 dates from 1876. It is clear from the first notes of the huge, opening Allegro non troppo that this is a quartet which cannot be simply linked to the Viennese Classicists as part of their direct lineage. The style is quite individualistic with the music being dominated by the rhythm. At first there is a hint of mystery but then the music is almost transformed into an exotic oriental dance. The surprising tempo creates an unusual slackness. A very fine Adagio expressivo follows. The opening theme is hymn-like and is elegiac. In the middle we find a brief intermezzo followed by a romantic duet between the viola and 1st violin. The slinky opening theme to the Scherzo non troppo vivo begins in unison. It bounces along in a genial fashion with the theme thrown back and forth between the voices quite cleverly. The trio is a muscular affair which provides a good contrast to the main section. The viola introduces the rhythmically syncopated당김음으로 된 and restless opening theme to the finale, Allegretto. Again, rhythm rather than melody dominates and the forward motion is very convincing.[유튜브]