[프랑스]Gustave Charpentier[구스타브 샤르팡디에]

Gustave Charpentier

Gustave Charpentier

(25 June 1860 – 18 February 1956) was a French composer, best known for his opera Louise.

오페라 〈루이즈 Louise〉로 유명하다. 릴 음악원에서 공부했고 이후 파리 음악원에서 마스네의 지도를 받다가 1887년 로마 대상을 수상했다. 1902년 '일반인을 위한 대중음악원'을 설립했는데, 훗날 노동자들을 위해 음악과 고전무용을 가르치는 무료학교가 되었다.

오페라 〈루이즈〉(1900)는 초연 이후 1,000회가 넘게 공연되었으며 감상적 사실주의에 의한 줄거리와 생생한 자연배경(몽마르트), 파리 시의 모습을 떠오르게 하기 때문에 인기가 지속되었다. 섬세한 성악곡이 마스네의 전통을 따르고 있으며 음악은 다소 바그너적이다.

〈루이즈〉의 연작인 〈쥘리앙 Julien〉(1913)은 그다지 성공을 거두지 못했으며, 보다 초기 작품으로는 성악과 관현악을 위한 〈어긋난 인상 Les Impressions fausses〉(1895)과 빅토르 위고 탄생 100주년 기념을 위하여 작곡한 〈예찬의 노래 Chant d'Apothéose〉(1902) 등이 있다.[다음백과]

Life and career

Charpentier was born in Dieuze, Moselle, the son of a baker, and with the assistance of a rich benefactor he studied violin at the conservatoire in Lille before entering the Paris Conservatoire in 1881. There he took lessons in composition under Jules Massenet (from 1885) and had a reputation of wanting to shock his professors. In 1887 he won the Prix de Rome for his cantata Didon.^[1] During the time in Rome that the prize gave him, he wrote the orchestral suite Impressions d'Italie and began work on the libretto and music for what would become his best-known work, the opera Louise.

Charpentier returned to Paris, settling in Montmartre, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He eventually completed Louise, and it was accepted for production by the Opéra-Comique. A realistic portrait of Parisian working-class life, it is sometimes considered a French example of verismo opera.

The premiere of Louise on 2 February 1900 under the baton of André Messager was an immediate success. Soon this work was being performed all over Europe and America, and it brought Charpentier much acclaim. It also launched the career of the Scottish soprano Mary Garden, who took over

the title role during an early performance. In late 1935 the composer supervised the abridged score used in a studio recording of around 70 minutes of the opera, conducted by Eugène Bigot.^[2]

 A film adaptation of the work followed in 1939 with Grace Moore in the title role. At the revival of Louise at the Opéra-Comique on 28 February 1950, celebrating the 50th anniversary of its creation and the 90th birthday of its composer, it was hoped that Charpentier himself might conduct the performance, but André Cluytens did so, with the composer conducting the 'Chant de l’apothéose' after the 3rd Act.^[3]

Louise is still occasionally performed today, with the soprano aria "Depuis le jour"

a popular recital piece.

In 1902, Charpentier founded the Conservatoire Populaire Mimi Pinson, intended to provide a free artistic education to Paris's working girls. However, he became unproductive as a composer. He worked on a sequel to Louise, Julien, ou la vie d'un poète, but it was quickly forgotten after its tepidly received 1913 premiere. For the rest of his extremely long life, Charpentier wrote hardly any further music.

He was, nevertheless, no recluse. During World War I, he started the Œuvre de Mimi Pinson and

Cocarde de Mimi Pinson to aid wounded soldiers.^[4] He was awarded the Légion d'honneur in 1900,

became a Commandeur in 1930, and a Grand Officier in 1950.^[5] In 1934, he conducted a recording of his Impressions d'Italie with a Paris symphony orchestra.^[6] He died, aged 95, in Paris.

Charpentier's brother Victor (also born Dieuze, on 23 July 1867) was a cellist in the orchestra of the Paris Opera and later a conductor of popular symphony concerts in Paris.^[7] In 1931 Marc Delmas published a biography of Charpentier entitled Gustave Charpentier et le Lyrisme Francais.

Compositions

• Didon, Scène dramatique – 1887
• Impressions d'Italie – 1892
• La vie du poète – symphonie-drame – 1892
• Sérénade à Watteau (words by Verlaine) – 1896
• La couronnement de la muse – spectacle – 1897
• Louise – 1900
• Munich – symphonic poem – 1911
• Julien, ou La vie du poète – 1913
• L'amour au faubourg – 1913 (unperformed)
• Orphée – 1931 (unfinished)
• Songs