[네델란드]Richard Hol

 

Richard Hol

 

 

Richard Hol - portrait by J.J. Mesker (1884/59세)

 

 

 ( 1825 –  1904/ 순조 25년-고종 39년,79세) was a Dutch composer and conductor,^[2] based for most of his career at Utrecht. His conservative music showed the influence of Ludwig van Beethoven, Felix Mendelssohn, and Robert Schumann and the Leipzig school, though as a conductor he offered Dutch audiences the more revolutionary music of Hector Berlioz and Richard Wagner(네델란드 작곡가 겸 지휘자. 거의 모든 경력을  위트레흐트 시에서 쌓았다. 그의 보수적인 음악 성향은 베토벤, 멘델스존, 슈만 그리고 라이프치히 음악원의 영향을많이 받은 것으로 보이는데 지휘자로서 네덜랜드 청중에게는 베를리오즈나 바그너의 혁신적인 음악을 많이 선보였다.)

 

[작품 모음]

 

 

Richard Hol was a Dutch conductor, pianist and composer. After studying the organ with J.M. Martens, he had piano and theory lessons with J.G. Bertelman at the Royal Music School in Amsterdam (1837--1844).

 

In 1845 he made a concert tour as a pianist through the Netherlands and Germany. He then settled

in Amsterdam, where he accompanied concerts of the Felix Meritis Society directed by J.B. van Bree, taught the piano and began to compose; he also directed choral societies, including the Amstels Mannenkoor, and the Amsterdam section of the Maatschappij tot Bevordering der Toonkunst (1857--1862).

 

In 1862 he went to Utrecht where he conducted the Collegium Musicum Ultrajectinum and the Utrechtsch Studenten Concert. He was also organist at the cathedral (1869--1887) and director of the newly founded Toonkunst Muziekschool (1875--1904) where he taught singing, piano and theory

until 1887. Among his pupils were Willem Mengelberg and Johan Wagenaar. His influence on musical life in the Netherlands increased further by his appointments as conductor of the Cecilia male voice choir (1878--1901) and the Diligentia orchestra (1886--1898), both in The Hague.

 

From 1891 to 1893 he was conductor of the Amsterdam Paleis voor Volksvlijt orchestra, a position he shared with J.M. Coenen. Although Hol promoted the works of Berlioz and contemporary German composers in his concert programmes, his own music remained conservative.

 

His works number more than 250 and include two masses, cantatas, psalms, choral works, an oratorio, David (1878), two operas, Floris V (1892) and Uit de branding (1894), a Singspiel, four symphonies, songs and works for organ and for piano.

He edited Het orgel (1894--1902) and Nederlandsche muziekkalender (1896--1904), and wrote a monograph on Sweelinck (1859), singing and piano methods for children (1875, 1876) and an autobiography (1903).

 

 

His son Johannes Cornelis (1874-1953) was a musicologist who published studies and editions of Orazio Vecchi's music. His daughter Elisabeth Bregitta, or Betsie (1866-1931), was a singer.

 

* 출처; 음원 및 해설-유튜브/ 사진-영어위키백과

 

 

 

 

Symphony No. 1 in C minor (1863/38세)

1. Larghetto - Allegro con fuoco - 00:00
2. Larghetto - 08:26
3. Presto - 13:36
4. Allegro molto - 17:27

Orchestra: Residentie Orkest
Conductor: Matthias Bamert

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Symphony No.2 in D-minor, Op.44 (1866/41세)

 

Mov.I: Lento -- Allegro molto agitato 00:00
Mov.II: Preghiera (Adagio) 14:21
Mov.III: Scherzo (Presto) 23:41

Mov.IV: Allegro con brio 29:04

Orchestra: Dutch Radio Symphony Orchestra
Conductor: Ed Spanjaard

 

 

 

 

* Symphony No. 3, Op. 101 (1884/ 59세)-Dedicated to Anton Rubinstein.(안톤 루빈스테인에게 헌정)

 

1. Einleitung (Langsam) und Allegro (Lebhaft) - 00:00
2. Scherzo: Zeimlich rasch (Erinnerung am Mendelssohn. Nov. 4, 1847) - 11:41
3. Nachtmusik: Langsam doch bewegt - 15:34
4. Finale: Rasch und kräftig - 24:34

Orchestra: Residentie Orkest
Conductor: Matthias Bamert

 

 

* Symphony No. 4 in A major (1889 / 61세 )

 

 

1. Andante sostenuto - Allegro moderato - Tranquillo - Andante sostenuto - 00:00
2. Presto - 09:28
3. Adagio non troppo - 14:33
4. Allegro vivace - 23:30

Orchestra: Residentie Orkest
Conductor: Matthias Bamert